End of Watch download full move and thriller, End of Watch movie news update

End of Watch download full move and thriller, End of Watch movie news update

End of Watch is a 2012 American thriller drama film written and directed by David Ayer. It stars Jake Gyllenhaal and Michael Peña as Los Angeles Police Department (LAPD) officers who work in South Central Los Angeles. It was originally scheduled to be released on September 28, 2012, but the release was moved up a week, to September 21. On December 7, the film was given a nationwide re-release

Release date: 25 Jan 2013

Cast End of Watch:

• Jake Gyllenhaal as Brian Taylor
• Michael Peña as Mike Zavala
• Natalie Martinez as Gabby
• Anna Kendrick as Janet
• David Harbour as Van Hauser
• Frank Grillo as Sarge
• America Ferrera as Orozco
• Cle Sloan as Mr. Tre
• Jaime FitzSimons as Captain Reese
• Cody Horn as Davis
• Shondrella Avery as Bonita
• Maurice Compte as Big Evil
• Yahira 'Flakiss' Garcia as La La
• Kristy Wu as Sook

Production of End of Watch:

Writer-director David Ayer wrote End of Watch in six days. After Jake Gyllenhaal received the script, he read it in one hour and immediately contacted Ayer. Gyllenhaal and Michael Peña underwent five months of training for their roles as officers of the Newton Division of the Los Angeles Police Department. The training included 12-hour ride-alongs with multiple Greater Los Angeles Area law enforcement agencies up to three times a week. Ayer said in September 2012, "I wrote the first draft in December of 2010, four months later I was in pre-production, and a few months later I was shooting the movie. We shot in August of last summer. It took 13 months to finish it, which is crazy quick. Normally it's not like that."

End of Watch was filmed on location in South Central Los Angeles. Ayer had specific details about "photographic style" in the script "to help people involved in the movie to understand the photography and why we were seeing what we were seeing", explaining that "the script started as a pure found footage kind of thing. In pre-production, I gravitated very quickly towards augmenting that stuff with normal operating cameras. In editing, I had all this footage, which me and my editor built the movie out of, with never worrying about genre expectation."